A description of the Concept of
the Cemetery Memorial to the victims of the Nazi Death Camp in
Bełżec.
Belżec 1942 - the
place and time of a great tragedy of
Jewish people, one of the greatest Crimes in the history of humanity - stood waiting for a fitting memorial for more than half a
century.
Our main task was to find the form of the Cemetery for this place that would appropriately honour and venerate the Jews murdered here according to tradition, culture and religion in which they and their ancestors lived. Our architectural - sculptural concept covers the entire area of the former death camp. The most important element of the composition is the space of the symbolic mass grave containing authentic mass gravesites within its borders.
At the historical point of the rail siding we placed
the main entrance to the Cemetery. Its elements include the Ramp and Museum building.
The complex of these elements on the side of the city comprises a form of the
cemetery wall. The only exit from the Ramp
is the Way, which
slopes gently into unassuming, even nondescript terrain, leading us into the
perfectly straight Interstice - like a crack in the earth - forming the Interstice
- Way with no return. A square is
created at the point of crossing into the circumference of the Cemetery - Burial Ground.
The cut and open earth uncovers the hidden elevation
of the terrain, and reveals the dimensions of the crime. Through the towering
height of the walls blotting out the sky, it evokes the terror of one of the
greatest graves in the world. The culminating point of the passage is the
granite Stone Wall. Its relief is a record of traces of individual
tragedy of the victims. This is a place of pause and reflection. Turning
around, we face the Niche with engraved inscriptions of the victims.
From the underground, stairs lead off to the left and
right allowing people to go outside. The way out is marked by the pedestrian
walk along the Cast-iron Border. Its surface is covered with inscriptions bearing the
names of communities of the murder victims and dates creating a calendar of the
crime. This is also a place for laying memorial stones and candles.
Those trees that were witness to the events will be
kept on the terrain marked out by the great Burial
Ground. The surface of the gravesite
will be covered with a layer of special sterile soil, half a metre thick, while
maintaining the original contours of the land. This will demonstrate the
exceptional nature of this place and the enduring memory of the tragedy.
Andrzej Solyga
Zdzislaw Pidek
Marcin Roszczyk
Sculptors