1. ETHNIC RECONSTRUCTION MODEL – A XHOZA HOMESTEAD
(CATA, EASTERN CAPE / SOUTH ARICA)
Historic reconstruction model of a typical Xhosa homestead for small rural exhibition. The model
depicts the rural lifestyle of plenty before the people were forcibly removed during apartheid from
the area and had to return in poverty.
The particular challenging part of the model was the custom made aloe plants I had to
make out of paper – all ± 13,500 leaves.
CONCEPT: The model is the central focus point of a small exhibition at Cata, a rural community museum.
CLIENT: Border Rural Committee (BRC) Eastern Cape.
MEDIA: Mixed: Styrene, paper, resin, etc.
SIZE: 120 cm x 80 cm
SCALE: 1:43
RESEARCHED AND CREATED: 2006
|
The Computer Aided Design (CAD) |
|
The final Model |
The model was first created in CAD in order to give the client a concept idea of what the model would look like.
|
Detail #1 |
|
Inside a Hut |
All items i.e. huts, aloes plough, and utensils were hand made by me. The interior of the hut,
showing utensils and maize cobs in ceiling for drying, are also all handmade.
|
Detail #3 |
|
Detail #2 |
2. ETHNIC RECONSTRUCTION MODEL – A KHOI-SAN HUT
The Khoi-San were a nomadic tribe at the tip of Southern Africa and their huts were cleverly
constructed in order to move on, especially if they heard a certain bird’s ominous call.
The research on how these huts were constructed, utensils etc., was collated and interpreted
by me to create this model. The construction of the lattice roof was executed exactly as was
originally done and proved amazingly strong for its size.
CONCEPT: Study model in ethnic museum display.
CLIENT: Iziko Museums of Cape Town.
MEDIA: Mixed: Styrene, wallpaper, rattan (for hut lattice) etc.
SIZE: 120 cm x 90 cm
SCALE: 1:10
RESEARCHED AND CREATED: 1998
|
Inside a Hut |
All items i.e. hut frame, covering mats utensils were hand made by me. I altered a contemporary painting
on computer, and several cut-outs of this were created to form a 3D layering, giving the same effect
as in a stage designed background.
© Peter Laponder 2006